"The choreography and music are gripping, the company is impressive and the uses of mixed-media are meaningful.”   --Mark Swed, Los Angeles Times

ROSANNA GAMSON/WORLD WIDE (RGWW) has created bi-national collaborative projects in Lithuania, Poland and Mexico, and toured in North America since 2000 and in Europe since 2012. RGWW has led workshops and master classes and been presented and commissioned by museums, theaters, festivals and alternative performance spaces. In California our presenting partners include REDCAT, ODC Theater, the Skirball Cultural Center, the Getty Center, and Grand Performances.  RGWW's North American touring includes Teatro Raul Flores Canelo de CENART and UNAM in Mexico City, the Harbourfront Centre in Toronto, PICA's TBA Festival, the Dance Center of Columbia College, Chicago; and the XXth International Hispanic Theater Festival, in Miami, among many other venues. Our dance theater projects have been commissioned with support from the National Performance Network and the National Dance Project.  RGWW is the recipient of six Lester Horton Dance Awards, including a Special Dance Innovator Award to Gamson for her body of work. RGWW's touring and travel support includes awards from LA DCA Cultural Exchange International, Contacto Cultural and the Trust for Mutual Understanding. 

In 2018/19 RGWW's Still/Restless opened the Festival Internacional de Artes Escenicas de Panamá, and our next project SUGAR HOUSES premieres at REDCAT in March of 2020. We performed at the Retro/per/spektyvy Festival International Theater Festival in Lodz this past August and will be teaching at the Dance In Tank Festival in Seoul next summer.


"Whether retelling myths of being carried off or tales of contemporary transportings played out on the L.A. landscape, Gamson has the charm of the campfire storyteller or tribal griot, interweaving circuitous tales with movement, music, words and stagecraft. ...this choreographic provocoteur and her superb collaborators should not be missed."  – Ann Haskins, LA Weekly

"Visual splendor is a welcome component of the pieces created by Rosanna Gamson for her nine-dancer ensemble. Few Los Angeles choreographers use theater technology quite so distinctively to fuel a contemporary vision."  – Lewis Segal, Los Angeles Times

Artist Statement

I make evening-length dance theater pieces that braid together several tracks of information– often via text, music, and technology as well as movement. Each project puts me in dialogue, through research and deep physical inquiry, with points of view I don't understand, whether artistically or culturally. Striving to build a complete aesthetic world for each project, I pursue both artifice/stylization/metaphor and realness. I love extreme movement and the intimacy that happens between viewer and dancer on that edge.  The major theme that runs through my work is the complexity of living in shared space, and I've pursued collaborations with artists holding points of view very different than my own that take me into new (to me), and sometimes uncomfortable, worlds.  My base is Los Angeles, where the tensions between multiplicity, assimilation and identity create necessary conversations, and I want my work to reflect my home city.

– Rosanna Gamson



photo by Sallie DeEtte Mackie

A native New Yorker, Rosanna Gamson studied composition with Hanya Holm, Bessie Schonberg, and Phyllis Lamhut and earned a BFA and MFA in Dance from NYU’s Tisch School of the Arts under the chairmanship of Lawrence Rhodes. She performed internationally as a member of Andrew DeGroat & Dancers, and in the dances of Yvonne Rainer, workshop performances of Robert Wilson, and in many others’ dance projects. Additionally, Gamson studied with poets Charles Simic, Louise Glück, and Thomas Lux and her poetry has been published in a number of literary magazines and journals. Since moving to Los Angeles, Gamson has created eleven evening-length dance theater works as Artistic Director of Rosanna Gamson/World Wide (RGWW). Gamson's continuing investigation of improvisation and group-authored performance practices has developed into Gamson's game system GO, which she began teaching internationally in 2017. Gamson has served as dramaturg, mentor and consigliere to both young and established choreographers and directors, and actively supports the development of the Los Angeles dance community through her Terra Nova Choreographic Residency program. Gamson is on faculty teaching composition at CalArts at the Sharon Disney Lund School of Dance where she serves as Assistant Dean and Program Director of the MFA in Choreography.